| TUTEMET | YOU! Doubly emphasised 2 sing. pron. (7) |
| CUIUSQUAM | Of anyone or anything (gen. sing. pron. all genders) |
| MIHI | For me, to me, dat. sing. pron. |
| ERAS | You were, you used to be (2 sing imperf.) |
| IUVES | May you, on your own, help; 2 sing. pres. subj. |
| TUTE | Emphatic 2 sing pronoun; O Tite, ____, Tati, tibi tanta, tyranne, tulisti! (Ennius) |
| ANGELOU | Maya __, poet whose autobiography was I Know Why the 13/2 Sings (7) |
| DADAIST | Exponent of an art movement that emphasised the absurd (7) |
| POINTED | Emphasised |
| SESE | Emphatic pron. reflex., 3rd pers. acc. |
| QUIBUSCUMQUE | In whatever, pl. indef. rel. pron. |
| IPSIS | For them themselves (dat. pl. pron, all genders) |
| ISTE | That chap (2nd pers. deictic pron., used pejoratively by Cicero) |
| EAE | The women, these women (nom. pl. pron.) |
| QUALIS | Interrog. pron., adj. of what sort, what kind of? |
| HANC | Her over here (acc. pron.) |
| IPSOS | The very men themselves (acc. pron.) |
| ELIMA | Olivier ....., former France, Catalan Dragons, Wakefield Trinity and Bradford Bulls pron (5) |
| WHATSTHEMEANINGOFTHIS | ___? pron. the nearer of two things or ideas being discussed |
| WHATDIDYOUTHINKIMEANT | ___? pron. the nominative case of the person speaking or writing |
