| FINLANDIA | Symphonic poem for orchestra by Jean Sibelius first performed in 1900 |
| LISZT | Franz who invented the symphonic poem for orchestra |
| TOSCA | Opera in three acts by Puccini, first performed in 1900 (5) |
| NIGHTRIDEANDSUNRISE | Tone poem composed by Jean Sibelius in 1908 (9,3,7) |
| ENSAGA | Tone poem written by Jean Sibelius in 1892 |
| KARELIASUITE | Set of eleven pieces composed by Jean Sibelius in 1893 (7,5) |
| POMP | A series of marches for orchestra by Sir Edward Elgar, _ And Circumstance Marches (4) |
| PLANETS | 'The -', suite for orchestra by Holst (7) |
| WARSAW | ___ Concerto, short work for piano and orchestra by Richard Addinsell first performed in 1941 (6) |
| THEAPOSTLES | Oratorio for soloists, chorus and orchestra by Edward Elgar first performed in 1903 |
| NURSERY | - Suite; composition in seven parts for full orchestra by Edward Elgar (7) |
| ADAGIO | Slow tempo demonstrated in a classical piece arranged for string orchestra by Samuel Barber (6) |
| TAPIOLA | Tone poem by the composer Jean Sibelius (7) |
| INBLUE | 1924 jazz piece for piano and orchestra by US composer George Gershwin, noted especially for its opening clarinet glissando (8,2,4) |
| RHAPSODY | 1924 jazz piece for piano and orchestra by US composer George Gershwin, noted especially for its opening clarinet glissando (8,2,4) |
| TOTENTANZ | Work for piano and orchestra by Liszt, based on the Dies Irae melody |
| DASLIEDVONDERERDE | A composition for two voices and orchestra by Gustav Mahler (3,4,3,3,4) |
| THELARKASCENDING | Piece for violin and orchestra by Ralph Vaughan Williams (3,4,9) |
| EMINOR | Key of Sibelius' First Symphony |
| BRASSERIE | Where one might dine with part of the orchestra by lake (9) |
