| FINLANDIA | Short work for orchestra by Jean Sibelius first performed in 1900 (9) |
| TOTENTANZ | Work for piano and orchestra by Liszt, based on the Dies Irae melody |
| BRASSERIE | Where one might dine with part of the orchestra by lake (9) |
| WARSAW | ___ Concerto, short work for piano and orchestra by Richard Addinsell first performed in 1941 (6) |
| TOSCA | Opera in three acts by Puccini, first performed in 1900 (5) |
| NIGHTRIDEANDSUNRISE | Tone poem composed by Jean Sibelius in 1908 (9,3,7) |
| KARELIASUITE | Set of eleven pieces composed by Jean Sibelius in 1893 (7,5) |
| ENSAGA | Tone poem written by Jean Sibelius in 1892 |
| POMP | A series of marches for orchestra by Sir Edward Elgar, _ And Circumstance Marches (4) |
| THEAPOSTLES | Oratorio for soloists, chorus and orchestra by Edward Elgar first performed in 1903 |
| PLANETS | 'The -', suite for orchestra by Holst (7) |
| JEUX | The last work for orchestra written by Claude Debussy, described as a "poeme danse" |
| NURSERY | - Suite; composition in seven parts for full orchestra by Edward Elgar (7) |
| ADAGIO | Slow tempo demonstrated in a classical piece arranged for string orchestra by Samuel Barber (6) |
| THELARKASCENDING | Piece for violin and orchestra by Ralph Vaughan Williams (3,4,9) |
| SYMPHONY | This type of work for orchestra adopted its four-movement form in the second half of the 18th centur |
| ORATORIO | Large-sale musical work for orchestra and voices (8) |
| DROP | A Bandon director writing short work for The Theatre (4) |
| INBLUE | 1924 jazz piece for piano and orchestra by US composer George Gershwin, noted especially for its opening clarinet glissando (8,2,4) |
| RHAPSODY | 1924 jazz piece for piano and orchestra by US composer George Gershwin, noted especially for its opening clarinet glissando (8,2,4) |
