| RUNSOVER | Reviews when the play's no longer showing (4,4) |
| STEVIEWONDER | As singer noted reviews when touring (6,6) |
| BYES | When the plays are off in the playoffs (for top seeds) |
| CASTIGATES | Gives a poor review when stage act is terrible (10) |
| ESSAY | Written composition, yes, for review when covering South America (5) |
| EXPERTLY | Like a master, so no longer showing insolence |
| RESTRUNG | No longer showing earlier guts, take a breather while climbing? |
| RELIEVED | King was convinced to remove bishop no longer showing concern |
| SITSBACK | Plays no further part, being partly chastised by implication? (4,4) |
| HUISCLOS | French name for Jean-Paul Sartre's play 'No Exit' (4,4) |
| ALUNOWEN | British screenwriter whose works include television play No Trams to Lime Street and film A Hard Day |
| ATTHETOP | Matthew's part to play -- no amateur in novel room (2,3,3) |
| CZECHOSLOVAKIA | Country no longer showing Scandinavian capital investment? (14) |
| OBLITERATE | Get rid of scholar no longer showing benefits of education? |
| REALIGN | Change direction of certain sign - it's no longer showing south |
| SHERIDAN | Writer of the plays The Rivals and The School for Scandal |
| RATTIGAN | Writer of the plays Separate Tables and The Winslow Boy |
| ATRAITOR | In the play's opening scene, what does the "bold son" accuse the Duke of Norfolk of being? |
| COVENTRY | At several points in the play's opening scene they throw down and take their gages (swords) defending their respective honours. The King decides they should fight each other. Where is this contest goi |
| MARRIAGE | In the play's last scene, what is the King's final intention with Katherine? |
